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ITEM TYPE: Brand: Byztee – Trendy Shirt: When you shop at Byztee, you can find high-quality T-shirts that will keep you cool and comfortable whether it’s hot outside or freezing outside. We also work to give our clients the best customer service by upholding customer satisfaction guidelines and adopting an open-door policy.
MATERIAL: Product Description: For both men and women, we only utilize premium 100% cotton t-shirts that have a long-lasting finish. Because our shirts are always available in large sizes, you can be confident that they will fit you perfectly and enhance your appearance. Its fabric, including the hoodie, sweater, tank top, long sleeves, and v-neck T-shirt is made of. CLASSIC UNISEX T-SHIRT: 100% cotton is used for solid colors, 50% cotton and 50% polyester is used for Heather colors (Sport Grey is 90% cotton and 10% polyester), and 60% cotton and 40% polyester is used for Antique colors. UNISEX HOODIE AND SWEATSHIRT: 50% polyester and 50% cotton. cloth that is incredibly strong and smooth and is made from specifically spun fibers, making it ideal for printing. The majority of pollutants can’t harm polyester fibers, and they also withstand stretching and shrinking. UNISEX LONG SLEEVES: Combed and ringspun cotton of 100% Airlume (fiber content may vary for different colors). Heather hues are 52% cotton, 48% polyester, while solid colors are 100% cotton (Athletic Heather is 90% cotton, 10% polyester). UNISEX TANK TOP: Tri-blend colors are 50% polyester, 25% cotton, and 25% rayon, while solid colors are 100% cotton, heather colors are 52% cotton, 48% polyester, and athletic heather is 90% cotton, 10% polyester. KID CLASSIC TEE: Our most popular tee for kids. The Youth Tee fits both men and women equally. This midweight shirt is often composed of 100% cotton and is comfortable to the touch. Only Light Heather Grey (90/10 cotton/polyester) and Dark Heather Grey (50/50 cotton/polyester) are exceptions. Shipping And Return Policy at Byztee: We at Byztee are committed to providing our clients with high-quality apparel in original designs that uphold our corporate values of accessibility and affordability. We are dedicated to offering high-quality goods at competitive prices. All of the nations where we offer shipping and delivery services will receive it, Hoodie, Sweater, Tank Top, Long Sleeve, and V-neck T-shirt. Delivery of the item will take 5-8 business days in the US and 10-15 business days for clients in the EU. We sincerely appreciate that you took the time to read our item description, and we sincerely hope that it provided you with enough information to make an informed decision. Please get in touch with us at: [email protected] if anything is still unclear or if you have any questions. Enjoy your day!

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Related Articles: She explained that museums there are still closed, so she asked the curator of the Ivan Honchar Museum in Kiev if she could visit its archives, where she found beautiful crocheted doilies from a domestic household in the ’50s. She reproduced and transformed them into a handcrafted, sinuously long slip dress, as well as a tiny brassiere, paired with fluid high-waist trousers with delicate lingerie details. October’s creations are about sensuality, grace, and the beauty of the female body: “I’m not concerned about the styling or the merchandising, as I believe that the body should shape the dress,” she said. “I hope my work is a way to bring harmony and beauty into a woman’s life. A new dress has to be striking; that’s why we don’t do hoodies or sweatshirts but special pieces for moments of happiness and excitement.” It would be easy to feel special in one of her sensuous bias-cut satiny dresses revealing a thin-strapped, crisscross open back, or one patchworked in smooth upcycled silk in delicate shades of shell pink and cream. Drawing attention to the décolletage, a primrose yellow bustier was shaped as a corolla of tulip petals, while a lingerie-inspired top was hand-stitched in a plait pattern, hinting at a Ukrainian symbol of femininity. In Anna October’s vision, life is a place where senses have to be celebrated. It’s a brave, optimistic attitude, which most likely comes when you’ve experienced being so close to losing everything that the miraculous beauty of life and love just jumps at you. “I like my label to be perceived as a date-ready brand,” said October with a smile. “If you want to go for a date, if you want to fall in love, if you are in love—I want you to live that moment in one of my dresses. They’re occasion dresses—but the occasion is just to live a beautiful life and fully enjoy the way you feel and look.”

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1. For that first destination, a footwear collaboration with Scholl, featuring mesh uppers, accompanied a swimwear debut. Spirituality—specifically protection and healing—was a leitmotif. Evil eyes cropped up as buttons, and prints developed with Java-based Indonesian artist Muhammad “Rofi” Fatchurofi were inspired by the transformative properties of water. On the runway there were continent-hopping, gender-fluid ideas about tailoring: A draped skirt with a matching shirt conveyed glamour with the ease of pajamas, while a similar one slipped under a crisply constructed leather jacket fused a European construct with the lungi worn by men across Asia. Another, worn alone, was accessorized with a shell necklace by the Berlin-based designer Nhat-Vu Dang, who lent several striking pieces to the show. GmbH also revisited last fall’s talisman prints in Arabic calligraphy by the Berlin-based Syrian artist Abdelrazak Shaballot, transposing the affirmations “safe from harm,” “wisdom,” and “knowledge” onto lasered denim or slip dresses in blue and white (“It’s our Petit Bateau trope,” the designers quipped). Not so long ago, shorts in denim or vinyl worn with or without a two-pocket apron belt—or perhaps a fur stole—would have skewed more club than night at the opera. Which was the designers’ point: Nowadays, anything goes.
2. The usual pandemonium outside the Dolce & Gabbana show was cranked up to 11 this afternoon. Three days ago, Kim Kardashian touched down in Milan and posted a pic of herself disembarking a PJ with the hashtags #CiaoKim and #DolceGabbana. The designers have been linked to the Kardashians since this past May, when they wardrobed Kourtney Kardashian and Travis Barker’s wedding in Portofino. At a press conference this morning, Kim said that today’s collaboration came about when Dolce and Gabbana discovered that the clotheshorse brought her own collection of vintage D&G to the nuptials, including “some pieces that even they didn’t have in their own archives.” The proposal went something like this: Kim would act as curator, selecting pieces from past collections, specifically the 20-year period between 1987 and 2007 (conveniently spanning the Y2K years that are trending at the moment), and the designers would rework those pieces for today, but subtly, so that the links between then and now are obvious enough for the social media audience, where so much of fashion communication plays out in 2022. The benefits for Dolce & Gabbana are plenty. The Kardashian-Jenners in attendance today boast a combined 652 million followers. As for Kim, hooking up with Dolce & Gabbana doesn’t just burnish her high-fashion image, but thanks to the internet’s capacity to flatten time, it somehow also stretches her influence. She became a household name in 2007 when Keeping Up With the Kardashians began airing, but with this partnership she’s put her stamp on two extra decades. Damn, she’s good at the fame game. Explaining her affinity for the brand at the press conference, Kim said, “Yes, I have this futuristic alien Barbie personality, which I like. But in my soul I feel very sensual Italian mob wife at the same time. I don’t know if that’s appropriate to say.” Of course, Dolce & Gabbana has worked the sensual Italian wife trope to its own ends, as editorials and ad campaigns of D&G favorites from back in the day—including Eva Herzigova and Helena Christensen, who sat in the front row—attest. On the runway, corsets, wiggle dresses, and lingerie sets were stitched with labels at the hip or wrist identifying the year they were first presented. At the same time, other pieces served Kim’s own interests. “It’s very Skims-y,” a seatmate said, nodding at a stretch-jersey number circa 1990 and a new one made in its image. For those of you living under a rock, Skims is Kim’s $3.2 billion shapewear brand. Presumably, all of this is future content for Hulu’s The Kardashians show, too; season two premiered a couple of nights ago. All the top fashion brands are getting into the entertainment business. Dolce & Gabbana has always been an early adopter. With Kim’s help it just raised the stakes.
3. The usual pandemonium outside the Dolce & Gabbana show was cranked up to 11 this afternoon. Three days ago, Kim Kardashian touched down in Milan and posted a pic of herself disembarking a PJ with the hashtags #CiaoKim and #DolceGabbana. The designers have been linked to the Kardashians since this past May, when they wardrobed Kourtney Kardashian and Travis Barker’s wedding in Portofino. At a press conference this morning, Kim said that today’s collaboration came about when Dolce and Gabbana discovered that the clotheshorse brought her own collection of vintage D&G to the nuptials, including “some pieces that even they didn’t have in their own archives.” The proposal went something like this: Kim would act as curator, selecting pieces from past collections, specifically the 20-year period between 1987 and 2007 (conveniently spanning the Y2K years that are trending at the moment), and the designers would rework those pieces for today, but subtly, so that the links between then and now are obvious enough for the social media audience, where so much of fashion communication plays out in 2022. The benefits for Dolce & Gabbana are plenty. The Kardashian-Jenners in attendance today boast a combined 652 million followers. As for Kim, hooking up with Dolce & Gabbana doesn’t just burnish her high-fashion image, but thanks to the internet’s capacity to flatten time, it somehow also stretches her influence. She became a household name in 2007 when Keeping Up With the Kardashians began airing, but with this partnership she’s put her stamp on two extra decades. Damn, she’s good at the fame game. Explaining her affinity for the brand at the press conference, Kim said, “Yes, I have this futuristic alien Barbie personality, which I like. But in my soul I feel very sensual Italian mob wife at the same time. I don’t know if that’s appropriate to say.” Of course, Dolce & Gabbana has worked the sensual Italian wife trope to its own ends, as editorials and ad campaigns of D&G favorites from back in the day—including Eva Herzigova and Helena Christensen, who sat in the front row—attest. On the runway, corsets, wiggle dresses, and lingerie sets were stitched with labels at the hip or wrist identifying the year they were first presented. At the same time, other pieces served Kim’s own interests. “It’s very Skims-y,” a seatmate said, nodding at a stretch-jersey number circa 1990 and a new one made in its image. For those of you living under a rock, Skims is Kim’s $3.2 billion shapewear brand. Presumably, all of this is future content for Hulu’s The Kardashians show, too; season two premiered a couple of nights ago. All the top fashion brands are getting into the entertainment business. Dolce & Gabbana has always been an early adopter. With Kim’s help it just raised the stakes.

Basic Metallica New Album Master Of Puppets Shirt

But it’s also due to the rigor with which he collaborates with suppliers, many in Japan’s Tohoku, Hokuriku and Kanto regions, whom he knows from his Miyake days designing menswear. His willingness to challenge them on everything from switching to renewable energy sources to cutting down on water consumption is admirable—and documented in detail on CFCL’s website. For spring, his fifth collection, Takahashi wanted to temper his cocooning silhouettes and zingy colors to focus on elegance. “Knitwear has a history of casual wear, it’s not used for suits or evening dress,” he said. “So for our first presentation for PFW, I was thinking about authentic elegance. I was looking at Yves Saint Laurent’s Le Smoking. But I wanted to combine elegant eveningwear with comfort.” A slim-cut double-faced knit blazer in black with a gentle peplum and a navy lining fit the bill, as did cupro-recycled-polyester mix trousers with the pleat sewn in. Elsewhere, Takahashi has been thinking about science fiction, and the futuristic aesthetic of Stanley Kubrick’s 2001: A Space Odyssey. Body-skimming and bell-shaped dress styles were reworked in sheer knit with a dry touch, intended to be layered over wide-leg pants and skirts. Delicate peplum-flared cardigans were paired with flared trousers. In accessories, woven pouch bags worn as wristlets have also proved popular and were reworked for spring in cobalt blue and bubblegum pink. In October, Takahashi will open his brand’s first store in Tokyo, with a second planned for next year. He already has over 100 doors in Japan, and has his sights set on expansion in Korea, Vietnam and China, as well as Paris. “People feel a sympathy with our clothes, because they are made for urban life,” Takahashi said. “Not so many brands focus on function—wrinkle-resistance, quick-dry, easy to wash and care for—as well as elegance. But it’s just the beginning.”

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