ITEM TYPE: Brand: Byztee – Trendy Shirt: When you shop at Byztee, you can find high-quality T-shirts that will keep you cool and comfortable whether it’s hot outside or freezing outside. We also work to give our clients the best customer service by upholding customer satisfaction guidelines and adopting an open-door policy.
MATERIAL: Product Description: For both men and women, we only utilize premium 100% cotton t-shirts that have a long-lasting finish. Because our shirts are always available in large sizes, you can be confident that they will fit you perfectly and enhance your appearance. Its fabric, including the hoodie, sweater, tank top, long sleeves, and v-neck T-shirt is made of. CLASSIC UNISEX T-SHIRT: 100% cotton is used for solid colors, 50% cotton and 50% polyester is used for Heather colors (Sport Grey is 90% cotton and 10% polyester), and 60% cotton and 40% polyester is used for Antique colors. UNISEX HOODIE AND SWEATSHIRT: 50% polyester and 50% cotton. cloth that is incredibly strong and smooth and is made from specifically spun fibers, making it ideal for printing. The majority of pollutants can’t harm polyester fibers, and they also withstand stretching and shrinking. UNISEX LONG SLEEVES: Combed and ringspun cotton of 100% Airlume (fiber content may vary for different colors). Heather hues are 52% cotton, 48% polyester, while solid colors are 100% cotton (Athletic Heather is 90% cotton, 10% polyester). UNISEX TANK TOP: Tri-blend colors are 50% polyester, 25% cotton, and 25% rayon, while solid colors are 100% cotton, heather colors are 52% cotton, 48% polyester, and athletic heather is 90% cotton, 10% polyester. KID CLASSIC TEE: Our most popular tee for kids. The Youth Tee fits both men and women equally. This midweight shirt is often composed of 100% cotton and is comfortable to the touch. Only Light Heather Grey (90/10 cotton/polyester) and Dark Heather Grey (50/50 cotton/polyester) are exceptions. Shipping And Return Policy at Byztee: We at Byztee are committed to providing our clients with high-quality apparel in original designs that uphold our corporate values of accessibility and affordability. We are dedicated to offering high-quality goods at competitive prices. All of the nations where we offer shipping and delivery services will receive it, Hoodie, Sweater, Tank Top, Long Sleeve, and V-neck T-shirt. Delivery of the item will take 5-8 business days in the US and 10-15 business days for clients in the EU. We sincerely appreciate that you took the time to read our item description, and we sincerely hope that it provided you with enough information to make an informed decision. Please get in touch with us at: [email protected] if anything is still unclear or if you have any questions. Enjoy your day!
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Related Articles: The usual pandemonium outside the Dolce & Gabbana show was cranked up to 11 this afternoon. Three days ago, Kim Kardashian touched down in Milan and posted a pic of herself disembarking a PJ with the hashtags #CiaoKim and #DolceGabbana. The designers have been linked to the Kardashians since this past May, when they wardrobed Kourtney Kardashian and Travis Barker’s wedding in Portofino. At a press conference this morning, Kim said that today’s collaboration came about when Dolce and Gabbana discovered that the clotheshorse brought her own collection of vintage D&G to the nuptials, including “some pieces that even they didn’t have in their own archives.” The proposal went something like this: Kim would act as curator, selecting pieces from past collections, specifically the 20-year period between 1987 and 2007 (conveniently spanning the Y2K years that are trending at the moment), and the designers would rework those pieces for today, but subtly, so that the links between then and now are obvious enough for the social media audience, where so much of fashion communication plays out in 2022. The benefits for Dolce & Gabbana are plenty. The Kardashian-Jenners in attendance today boast a combined 652 million followers. As for Kim, hooking up with Dolce & Gabbana doesn’t just burnish her high-fashion image, but thanks to the internet’s capacity to flatten time, it somehow also stretches her influence. She became a household name in 2007 when Keeping Up With the Kardashians began airing, but with this partnership she’s put her stamp on two extra decades. Damn, she’s good at the fame game. Explaining her affinity for the brand at the press conference, Kim said, “Yes, I have this futuristic alien Barbie personality, which I like. But in my soul I feel very sensual Italian mob wife at the same time. I don’t know if that’s appropriate to say.” Of course, Dolce & Gabbana has worked the sensual Italian wife trope to its own ends, as editorials and ad campaigns of D&G favorites from back in the day—including Eva Herzigova and Helena Christensen, who sat in the front row—attest. On the runway, corsets, wiggle dresses, and lingerie sets were stitched with labels at the hip or wrist identifying the year they were first presented. At the same time, other pieces served Kim’s own interests. “It’s very Skims-y,” a seatmate said, nodding at a stretch-jersey number circa 1990 and a new one made in its image. For those of you living under a rock, Skims is Kim’s $3.2 billion shapewear brand. Presumably, all of this is future content for Hulu’s The Kardashians show, too; season two premiered a couple of nights ago. All the top fashion brands are getting into the entertainment business. Dolce & Gabbana has always been an early adopter. With Kim’s help it just raised the stakes.
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- They were visions of languid elegance, dressed to the nines with myriad jeweled accessories, the maquillage as immaculate as the hauteur they were so gifted at projecting. Vaccarello riffed on all the draping and hoods for a slew of beautifully rendered dresses cut from jersey in two different weights: one heavier and opaque, giving a more constructed look; the other lighter and gauzier, gently—and barely—veiling the body underneath. Some of these dresses were slipped under sweeping great coats and trenches—which fell in narrow columnar proportions from big shoulders in leather, tweed, or wool—or paired with more leather in the form of capacious blouson jackets that nipped inwards as their cut moved toward the waist. (Vaccarello deftly mimicked the silhouette and made it more day with a draped sweater with a hood over tapering track pants—and in contrast, loosened everything up with a series of terrific pajama suits, the standout in ivory polka dots on black.) Vaccarello’s color palette was gloriously muted but definitive, taken from the clothes shot on Polaroid from YSL fittings back in the day: soft browns, purples, camels, olives, and taupes, their tones heightened by the substantial jeweled or Claude Lalanne–esque gold cuffs. There were barely-there sandals and satiny pumps with high-cut vamps and gleaming metallic shades. Everything came together to create a look that was finished, polished, considered, and—time to bring back this word, clearly—done: a riposte to the idea that everything is heading us toward some inexorable slide into bland, dull, uniform, social-media-hyped coolness. Yet ’30s or ’80s, it didn’t really matter. What drives Vaccarello is where we are right now. Despite the historical referencing, his push is to always exist in the present. You can trace that from this collection back through his last few women’s runway shows. It’s a thread that takes you from the bold-shoulder blazers and latex of winter 2020 to the Belgian-y swaggering coats and floor-trailing skirts he did for fall to tonight’s offering. Let’s call what Vaccarello is doing empower dressing. It doesn’t rest on the outward gestures—the width of the shoulders, the height of the heels, or the length of the skirts. Instead, it reflects what’s within, unspoken, but undeniably powerful and potent.
- Laura and Deanna Fanning have previously expressed frustration at a regular remark from retailers viewing their womenswear line for Kiko Kostadinov: “So, where are your frocks?” Determined to dress women in decisive day-to-nightwear, they design pieces that make you look twice—a dress with poppers that transforms into a vest and mini skirt from their spring/summer 2022 collection recently made it into Dua Lipa’s wardrobe, for instance. It was a little surprising, then, to see floaty silk-georgette and chiffon midi dresses wafting through the high-school gymnasium that served as their show venue for their Paris Fashion Week debut. Were they feeling the Paris romance? “We wanted to push ourselves through things that are a bit more draped,” the sisters said, nodding, backstage after the show. “It was a bit of a risk but it’s been fun to play with the transparencies, the delicate and ephemeral. The collection was about fantasy for us—fantasy and hope.” Kiko fans—and judging from the number of fashion insiders toting the label’s popular Trivia bag around Paris this week, they are numerous—will be pleased to know that the fantasy came with the Fannings’ habitual made-you-look edge. A pretty azure-blue dress had an ab-baring cut-out and was styled with off-beat chain-link necklaces worn across the body, from which dangled juicy-hued beads. Another style layered an elegant asymmetric turquoise slip over apple green silk-georgette. A clingy dress featuring pastel shades of mesh layered over one another boasted a pleasing neckline, folding out from the bust like a napkin in a fancy restaurant. What made them work was a playful deftness and sporty edge in the styling. The 19-year-old British model Mia Regan, sat front row, and is emblematic of the pretty-tough girls that wear Kiko, seemed taken with the cowl-neck mini dresses, too.
- She explained that museums there are still closed, so she asked the curator of the Ivan Honchar Museum in Kiev if she could visit its archives, where she found beautiful crocheted doilies from a domestic household in the ’50s. She reproduced and transformed them into a handcrafted, sinuously long slip dress, as well as a tiny brassiere, paired with fluid high-waist trousers with delicate lingerie details. October’s creations are about sensuality, grace, and the beauty of the female body: “I’m not concerned about the styling or the merchandising, as I believe that the body should shape the dress,” she said. “I hope my work is a way to bring harmony and beauty into a woman’s life. A new dress has to be striking; that’s why we don’t do hoodies or sweatshirts but special pieces for moments of happiness and excitement.” It would be easy to feel special in one of her sensuous bias-cut satiny dresses revealing a thin-strapped, crisscross open back, or one patchworked in smooth upcycled silk in delicate shades of shell pink and cream. Drawing attention to the décolletage, a primrose yellow bustier was shaped as a corolla of tulip petals, while a lingerie-inspired top was hand-stitched in a plait pattern, hinting at a Ukrainian symbol of femininity. In Anna October’s vision, life is a place where senses have to be celebrated. It’s a brave, optimistic attitude, which most likely comes when you’ve experienced being so close to losing everything that the miraculous beauty of life and love just jumps at you. “I like my label to be perceived as a date-ready brand,” said October with a smile. “If you want to go for a date, if you want to fall in love, if you are in love—I want you to live that moment in one of my dresses. They’re occasion dresses—but the occasion is just to live a beautiful life and fully enjoy the way you feel and look.”
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After four weeks of late nights and early starts, the fashion pack could be forgiven for power napping as they waited for a show to start on a Sunday afternoon. The temptation was even greater at Ottolinger, where seating comprised a giant tessellated pile of mattresses. That is, until the techno started pumping. Backstage, designers Christa Bösch and Cosima Gadient explained they wanted guests to feel as if they were waking up and heading out into the world full of GIF-y, girl-bossy ebullience. “It’s like in the morning when there’s really warm light, and you have a good feeling about the day. You start the day upbeat, you go off and you sign a deal—it’s not an average day; it’s a really good day,” said Gadient with a laugh. If it took a little creative license for this writer to imagine inking a business deal in the show’s opening look—a deconstructed belt–meets–bra top whose straps covered the nipples and little else, paired with low-slung leather-look trousers made from recycled polyester—the audience didn’t share such prudishness. Gen Z’s love of near nudity knows no bounds, and the fan base that lounged on the mattresses wearing skin-baring looks from the Berlin-based label would think nothing of wearing a crop top to talk shop. The designers recently launched a pre-collection that they said had allowed them to tackle more conceptual ideas in their runway shows. No longer beholden to showing denim and mesh dresses, which are their big commercial hits, this freed them up to present deconstructed biker jackets and skintight bodysuits. Ironically, though, the strongest pieces were arguably the most commercial, especially the dresses that draped and hugged the body with some rubbery-looking embellishments. Dipping items in rubber is a trait that reads recognizably Ottolinger: The punked-up court shoes, which saw a classic pump wrapped in a futuristic rubber-like casing, were as covetable as the diamanté jewelry dipped in brightly colored rubber that currently sells well on the label’s website. They’d do well to continue hammering home those codes as the Y2K trend keeps rolling and numerous other labels look to replicate their success with the sexy and the skintight.
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