ITEM TYPE: Poster Canvas from Byztee is premium poster canvas. Get wall art that you’ll love printed on premium canvas prints, framed art prints, poster prints, and more, all of which ship quickly and come in custom sizes.
MATERIAL: Poster Information: Edge-to-edge printing with no borders on 200 GSM paper. 36 inches x 24 inches, 24 inches x 16 inches, and 16 inches x 12 inches are the dimensions. American-made printing. This object is not framed. Canvas Information: Please choose between Framed or Unframed Canvas: Unframed canvas: You will only get one roll; they have simply printed images on a canvas that cannot be hung. You must create your bespoke frames and mount them in your manner. Framed canvas: Each image is already framed so that the canvas can be stretched. After receiving the item, all you have to do is hang it up. The already attached hook makes hanging quick and simple. 36 inches x 24 inches, 24 inches x 16 inches, and 16 inches x 12 inches are the dimensions. Symbolic artwork is printed on strong, water-repellent, and wear-resistant materials. 360 gsm woven, artist-quality ultra-thick matte canvas. Long-lasting lightfast canvas prints and UV archival inks that prevent fading. Protective coating that deters spills and scratches. Printing on one side. Customer Satisfaction Guarantee: Please request a REPLACEMENT or REFUND using the email provided with the merchandise if you have any problems. Now that you’ve reached the top, click Add to Cart to start your preferred experience.
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Related Articles: With a winning spring collection Ladislav Zdút and his team are redefining power dressing for today. Their iteration—executed in Nehera’s signature neutrals and enlivened with strokes of persimmon, yellow, and royal blue—is softly structured and smart, with interesting textures and asymmetries. A blazer has one lapel and uneven seams; a two-piece jacket can be worn as half a garment or a whole. Nicely styled, the lookbook makes the argument for layering shirts and wearing skirts over pants. The collection takes its title, Powershift, from a 1990 book of the same name by sociologist and futurist Alvin Toffler. Throughout history, says Zdút, women have traditionally adapted elements of menswear, particularly exaggerated shoulders, when assuming positions of power; this season he wanted to “underline the new feminine confidence,” and demonstrate that power “need not necessarily be expressed by exaggerated shoulders.” One of the most pleasing aspects of this offering is how beautifully it reconciles its contradictions: It borrows functional elements from menswear and uniforms, and uses them to express femininity; catering to city dwellers, it takes inspiration from nature. (The lovely floral print is a collaboration with Juraj Straka, a textile designer from Bratislava who is based in Antwerp.) Effortless is an overused word in fashion, but that’s the vibe of this breezy collection.
Review CeeDee Took A Big Leap In 2022 Decor Poster Canvas
- Exploration of form, rather than narrative, is what drives Melitta Baumeister. It also keeps a steady stream of interns knocking on her door in Washington Heights. They always say, “I want to know how you make these shapes,” says the designer with a laugh. There’s not a single answer to that question. The shoulder points of a witchy dress in the spring collection are formed by a wooden harness. What I’m calling the chair dress makes use of an inflatable, rather than foam, which the designer has employed in the past. Soft boning is used for 3D frills, and one way volume is created is by using pleating on the crossgrain. Pleating, says Baumeister, also replicates the “bounciness” and “wobbliness” of knits. Baumeister is a wizard with lines and circles and squiggles, which she applied for spring with various degrees of intensity. There are plenty of options on the tamer end of the spectrum. Among them are a shirtdress in an exaggerated A-line shape, tent dresses with bubbled hems, an especially smart oversize parka, and generously tailored jackets with extra long and extra skinny sleeves worn with shorts-pants, which can be detached at mid thigh. Some of the pieces in Baumeister’s spring collection place her work in line with what Satoshi Kondo and Yusuke Takahashi are doing at Issey Miyake and CFCL respectively, but her world is her own. It’s one of circus mirror exaggeration and exacting techniques. Wallflowers be warned: There is nothing “safe” about this designer’s work. “I like the extreme points of something,” says Baumeister. “Whether it’s extremely round or extremely pointy, I like to see where the edge of something still being wearable is.”
- Surf culture and beach life continually fascinate the fun-loving Dean and Dan Caten. But why surf and not, say, tennis or soccer or just plain old swimming? “Because surf is sexier, cooler, hotter,” they said backstage before their spring show. “It’s about freedom, strength, being in the ocean. There’s lots of mystique around it—ideas and lifestyle, images, music, a whole lotta culture. Very inspiring.” They enjoy surfing when in Mykonos, which just adds to their love affair with the swells. Surfers have a deceptively laid-back aesthetic, as they’re actually quite fastidious about their looks. For spring, the Catens went for a surfer girl who manages the layered styling to a hilt, elevating it to an effortless fashion form as easy as a lazy suntanning session on the beach. Transparencies were played out to express the leggerezza, that lightness of mood the designers wanted to convey. Tulle mesh, PVC, chiffon, filmy lace, and a whole panoply of sexy sheer fabrics were turned into flares, wrap skirts, leggings, blazers, and XXXL board shorts juxtaposed in an apparently haphazard jumble. The silhouette was kept lean and unfussy despite the riotous styling. Bright colors and shiny liquid surfaces (sequins, glazed nylon, stretch satin) had a tonic, vital vibe, tying the layered lineup of individual pieces into a cohesive mash-up—which, while sounding oxymoronic, gives credit to the Catens’ bravura in mastering the art of orderly, neat, sexy chaos.
- Beckham’s lifelong fashion education has clearly taught her a thing or two about subversion. If she’s demonstrated her taste for the “wrong” and “weird” before, this collection flexed a side to her practice that felt like virgin soil. Next to coats with edges cut to reveal their construction and trompe l’oeil leather jackets with the imprint of lapels, tailored jackets had been deconstructed at the back and reduced to their core frame, exposing the naked body. It was an intelligent (and quite Belgian) way of cutting that suited Beckham’s codes and pushed her into a game played by the big guys. “I can’t believe it’s finally happening. I’m very proud of where we’ve come,” she said of her Paris adventure. “With this show, I have enjoyed every single step of the way. When you think of everything we’ve been through, to be doing a show in Paris as an independent brand, it’s a really big deal. It feels like a real moment.” Beckham’s French fashion debut was an ambitious, dramatic, and quite sexual experience, which spoke volumes of her excitement for fashion. And on the day-to-day hamster wheel of Fashion Week, dedication like that is really quite rare.
Cute CeeDee Took A Big Leap In 2022 Decor Poster Canvas
(Paris, it has to be said, is enraptured with this look; in the most extreme examples, seen on other designers’ runways, nothing will say spring 2023 like having one knee brazenly flaunting itself, the other having taken a season-long sabbatical by hiding behind fabric, a sartorial vow of silence.) Interestingly (and another little narrative of note from Paris these past days) this was another spring collection heavy on, well, heavier things. It was all part, Hwang said, of thinking about those earlier deliveries, when the sun, like that knee, might need quite a bit of coaxing to come out. These were some of the best pieces here: A fantastic cuddly toy of a fur, made up of upcycled panels of the faux fluffy stuff, or a really rather chic coat, which had been quilted inside, so that the pattern of the padding ‘bled’ through to the surface; it was quietly intriguing and effective both from a practical and decorative point of view. Maybe that’s what Hwang meant when he was talking about the rational and the irrational. If so, here’s another good example: Those undulating bands on his skirts, which could be fastened or unfastened via a series of hook and eye fastenings. All done up, those hooks make for an elegantly graphic embellishment. But start unhooking, letting the panel fall to reveal the body underneath. Well, then you’re in the realms of freeing your imagination as much as the designer who created the skirt you’d be wearing.
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