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Related Articles: Sure, there are other conventions, other events that bring people together. But Star Wars Celebration feels like more. It feels like a homecoming. Whether it’s your first time or fourteenth time, you immediately feel at home. I remember walking into the lobby of the Orlando convention center for my first Celebration, Star Wars Celebration V, and despite the long lines, jostling crowds, sold out merchandise…it felt familiar. As an observer from The New York Times who took in all these things firsthand—this is what we live to see! That was when those two days truly became part-time timesavers: not just one day as they were last year but three whole weeks while Lucasfilm worked on new material; then several months before release being put through some final maintenance checks by Disney Studios General Manager Alan Horn (in honor), whose eye shepherded them towards everything going right with filming Return Of Jedi so many years ago …and finally taking place this weekend —for me back in 2011 here’s how easy any occasion can be compared once again under such circumstance
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- Chen’s new book takes place in an interesting spot in the Star Wars canon: the moment after the Battle of Geonosis in Attack of the Clones, but before the events of the 2008 Clone Wars film which launched the famous series. In other words, this is a story about Anakin and Obi-Wan before Ahsoka but after the war breaks out. And for Mike Chen, the whole purpose of this book is to create a kind of Clone Wars “movie” that he wished had existed during the run of prequels. But how do you tell such a tale without having everyone involved? I reached by email last month with Mira Sorvino—who directed both The Force Awakens trilogy (including its 2015 spinoff) as well – who told me her thoughts on what she’s doing here, including whether or not it qualifies under Lucasfilm Studios’ editorial guidelines relating specifically too much plot divergence between films from different media companies. “We really don’t have clear rules when we’re making movies,” said Sorvarine, whose experience works perfectly within Marvel Cinematic Universe standards governing continuity since these are shared universes created through cohabitation across multiple screens worldwide at once
- Ahsoka, the highly-anticipated live-action series starring Rosario Dawson as the titular togruta former Jedi first seen in Star Wars: The Clone Wars, has officially begun production. The news comes from Disney+ itself, who shared a seemingly standard behind-the-scenes picture of a director’s chair emblazoned with the show’s stylized title. But those who’ve kept up with Star Wars in recent years know full well what that hat dangling off the side means. Ticket sources tell us all about just how exciting this is for fans and it was announced earlier today via Twitter by Joonas Hogberg at THR : “StarWars will be filmed on location across Europe next year! #liveOnTheSky.” So if there are any questions surrounding why filming would take place entirely within London then these tweets may provide answers… but they won’t answer them necessarily since other scenes seem to have been shot elsewhere during summer (yes I’m aware many locations require extensive scouting before shooting). At least part three seems likely; you can check out more pics here.
- On this year’s May the Fourth, like clockwork, a new piece of Star Wars news dropped: a trailer for the forthcoming Disney+ show Obi-Wan Kenobi. Previous Star Wars Day announcements have included that Thor: Ragnarok director Taika Waititi would be cowriting and helming a future Star Wars movie and that General Mills would be releasing a Baby Yoda cereal. It’s also a day for all kinds of fan actions, like making crafts, doing cosplay, and holding movie marathons. But over the years, the holiday has begun to feel more and more like a marketing stunt—a former grassroots fan holiday that’s been turned into a news peg for a trailer for a show people don’t seem too jazzed about. For example you see it every time there’s an announcement on Twitter or Facebook regarding upcoming movies; each one features your favorite (and oft-disappeared) characters in goofy outfits wearing costumes drawn by their very first appearances from The Dark Knight Rises ‒or worse still, something entirely unrelated… such as Christopher Nolan creating Batman themed shirts back at CinemaCon 2005. You’ll think “oh no I hate Chris Nolan! My love affair with him waned after he made his own films!” And when those projects are finally revealed? Well they get announced anyway because some celebrity wants them, just ask Madonna
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On this year’s May the Fourth, like clockwork, a new piece of Star Wars news dropped: a trailer for the forthcoming Disney+ show Obi-Wan Kenobi. Previous Star Wars Day announcements have included that Thor: Ragnarok director Taika Waititi would be cowriting and helming a future Star Wars movie and that General Mills would be releasing a Baby Yoda cereal. It’s also a day for all kinds of fan actions, like making crafts, doing cosplay, and holding movie marathons. But over the years, the holiday has begun to feel more and more like a marketing stunt—a former grassroots fan holiday that’s been turned into a news peg for a trailer for a show people don’t seem too jazzed about. For example you see it every time there’s an announcement on Twitter or Facebook regarding upcoming movies; each one features your favorite (and oft-disappeared) characters in goofy outfits wearing costumes drawn by their very first appearances from The Dark Knight Rises ‒or worse still, something entirely unrelated… such as Christopher Nolan creating Batman themed shirts back at CinemaCon 2005. You’ll think “oh no I hate Chris Nolan! My love affair with him waned after he made his own films!” And when those projects are finally revealed? Well they get announced anyway because some celebrity wants them, just ask Madonna
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