“They’re waiting,” said Sarah-Linh Tran after our transit through this presentation. Added Christophe Lemaire: “It’s always nice to see people when they are in between things.” Interjected Tran: “And people are very much themselves.” Outside this presentation at the Musée des Arts et Métiers were clustered lots of fashion folk with no time to spare, waiting to go upstairs to see models in Lemaire acting as if they had time to kill. This could have led to some psychological friction, but once you got in, you got it. On the staircase a brace of male models idly swayed on their heels in top to toe monocolor stone, one wearing a crisp trench over full white pants in cotton and a split-upper slipper, the other a wide blouson over a collar-popped shirt and a multi-pleated silky pant with the same shoes.
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A female model in a culotte-integrating version of the outfits we’d just seen stood on the landing above. Up into the hall, there was a guy leaning on a window frame in brown blouson and work trousers with a bag strapped around his shoulder and a mini torch on his key fob. Across from him a woman in an interestingly halter-wrapped shirt and brown five pocket pants read a battered Luis Bunuel paperback. Further along another woman wore a dress and a guy wore a camp collar shirt that were both in the same pre-scrunched hibiscus (I think) print. A female slept on a bench, warmed by the shafts of sunlight through the window, and cushioned by her softly blushing shirting and crisp cotton pants. A guy leant against a table in more pared down brown workwear reading Le Monde: a colleague from Le Figaro took note. At the end of the room, Ana Roxanne played mood music on multiple instruments and we saw more model groupings wearing super attractive printed pieces by the Indonesian artist Noviadi Angkasapura. This was a refreshingly straightforward collection that put the clothes on a pedestal of reality—or at least faux reality. You drifted out into the courtyard thinking you’d quite like to hang around in Lemaire, not doing all that much but waiting for something to happen.
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