ITEM TYPE: Brand: Byztee – Trendy Shirt: When you shop at Byztee, you can find high-quality T-shirts that will keep you cool and comfortable whether it’s hot outside or freezing outside. We also work to give our clients the best customer service by upholding customer satisfaction guidelines and adopting an open-door policy.
MATERIAL: Product Description: For both men and women, we only utilize premium 100% cotton t-shirts that have a long-lasting finish. Because our shirts are always available in large sizes, you can be confident that they will fit you perfectly and enhance your appearance. Its fabric, including the hoodie, sweater, tank top, long sleeves, and v-neck T-shirt is made of. CLASSIC UNISEX T-SHIRT: 100% cotton is used for solid colors, 50% cotton and 50% polyester is used for Heather colors (Sport Grey is 90% cotton and 10% polyester), and 60% cotton and 40% polyester is used for Antique colors. UNISEX HOODIE AND SWEATSHIRT: 50% polyester and 50% cotton. cloth that is incredibly strong and smooth and is made from specifically spun fibers, making it ideal for printing. The majority of pollutants can’t harm polyester fibers, and they also withstand stretching and shrinking. UNISEX LONG SLEEVES: Combed and ringspun cotton of 100% Airlume (fiber content may vary for different colors). Heather hues are 52% cotton, 48% polyester, while solid colors are 100% cotton (Athletic Heather is 90% cotton, 10% polyester). UNISEX TANK TOP: Tri-blend colors are 50% polyester, 25% cotton, and 25% rayon, while solid colors are 100% cotton, heather colors are 52% cotton, 48% polyester, and athletic heather is 90% cotton, 10% polyester. KID CLASSIC TEE: Our most popular tee for kids. The Youth Tee fits both men and women equally. This midweight shirt is often composed of 100% cotton and is comfortable to the touch. Only Light Heather Grey (90/10 cotton/polyester) and Dark Heather Grey (50/50 cotton/polyester) are exceptions. Shipping And Return Policy at Byztee: We at Byztee are committed to providing our clients with high-quality apparel in original designs that uphold our corporate values of accessibility and affordability. We are dedicated to offering high-quality goods at competitive prices. All of the nations where we offer shipping and delivery services will receive it, Hoodie, Sweater, Tank Top, Long Sleeve, and V-neck T-shirt. Delivery of the item will take 5-8 business days in the US and 10-15 business days for clients in the EU. We sincerely appreciate that you took the time to read our item description, and we sincerely hope that it provided you with enough information to make an informed decision. Please get in touch with us at: [email protected] if anything is still unclear or if you have any questions. Enjoy your day!
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Related Articles: Back in the heyday of Blogspot, there were few destinations better than Goths in Hot Weather. The niche website specialized in real-world snapshots of fully-dressed and made-up goths defying “the day star” and engaging in regular summer activities such as garden parties, sunny café lunches, and days at the beach. It’s a universal phenomenon, but—due to this country’s high concentration of goths—perhaps a particularly British one. After five years in England, Riccardo Tisci (so often labeled “goth” by the fashion press at the dawn of his career) has gained a better understanding of the intricacies and eccentricities of British society—such as the beach and summer culture that inspired his spring collection for Burberry. “British summer is very different to anywhere else in the world, because Britain is basically built on big cities on the water. That means you really see people dressing on the beach, because you never know when it’s going to rain or when there’s going to be sun. The beauty is the goth on the beach, like these kids we filmed the other day,” he said after the show, referring to the show’s goth-tastic teaser filmed in Margate. “Or, you’ll see a wedding, or someone who’s gone there at lunch time to read. It’s all different personalities.” Since Tisci brought a more sensual spirit to Burberry, its swimsuits have risen to best-seller status. That fact, mixed with his homage to the beach-going goth, created a collection of swimwear fusions and hybrids. Working with a cast that included some of Britain’s most famous models—Naomi Campbell, Karen Elson, Erin O’Connor—Tisci incorporated swimsuit elements like bikinis and bathing suit cut-outs into dresses and tailoring, which simultaneously incorporated the trademarks of the goth wardrobe: lace, netting, perforation, gothic fonts, and crinkled negligees he attributed to the punk era that paved the way. De- and reconstructed outerwear evoked the dress codes of the industrial corner of the goth population, with dissected hoods and sleeves tied around the waists of trench coats and three-piece suits with big-buttoned gilets replacing the traditional vest. For all the humorous references that informed the collection, the show was a solemn affair.
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- But it’s also due to the rigor with which he collaborates with suppliers, many in Japan’s Tohoku, Hokuriku and Kanto regions, whom he knows from his Miyake days designing menswear. His willingness to challenge them on everything from switching to renewable energy sources to cutting down on water consumption is admirable—and documented in detail on CFCL’s website. For spring, his fifth collection, Takahashi wanted to temper his cocooning silhouettes and zingy colors to focus on elegance. “Knitwear has a history of casual wear, it’s not used for suits or evening dress,” he said. “So for our first presentation for PFW, I was thinking about authentic elegance. I was looking at Yves Saint Laurent’s Le Smoking. But I wanted to combine elegant eveningwear with comfort.” A slim-cut double-faced knit blazer in black with a gentle peplum and a navy lining fit the bill, as did cupro-recycled-polyester mix trousers with the pleat sewn in. Elsewhere, Takahashi has been thinking about science fiction, and the futuristic aesthetic of Stanley Kubrick’s 2001: A Space Odyssey. Body-skimming and bell-shaped dress styles were reworked in sheer knit with a dry touch, intended to be layered over wide-leg pants and skirts. Delicate peplum-flared cardigans were paired with flared trousers. In accessories, woven pouch bags worn as wristlets have also proved popular and were reworked for spring in cobalt blue and bubblegum pink. In October, Takahashi will open his brand’s first store in Tokyo, with a second planned for next year. He already has over 100 doors in Japan, and has his sights set on expansion in Korea, Vietnam and China, as well as Paris. “People feel a sympathy with our clothes, because they are made for urban life,” Takahashi said. “Not so many brands focus on function—wrinkle-resistance, quick-dry, easy to wash and care for—as well as elegance. But it’s just the beginning.”
- It might run down the sleeves of a second skin tailored jacket, or slither down the sides of a hip-cleaving skirt in crushed velvet, a new fabric for him. More ruching worked its way diagonally across dresses which looked like they could be slipped on as easily as a T-shirt, while others had been worked with a ruffled effect (also new for Tron) that was anything but fussy or frilly. There were scuba-like leggings with tiny cut-outs at the waistband, with one-shouldered tops, and plenty of columnar or softly draped dresses with open backs, as if Tron had just taken a length of fabric and magicked it around the body, the ease of the pieces belying the kind of technical skill needed to create them. (Let me tell you something you likely already guessed: That’s a lot of skill.) Tron has been quietly working away, honing and perfecting his idea of Atlein for a while now, but this collection felt like a bit of a breakthrough moment; greater fluency in his articulation of technique, ever more commitment to sustainability (many of his fabrics were yet again upcycled or recycled) and eschewing anything extraneous in pursuit of clothes which felt strong, and real, and adult. This season’s shows marked the rather strange crossroads fashion is at: looks lighting up like fireworks on social media, and disappearing as quickly; powerful, inescapable brand statements played out on a global scale. What’s an indie designer versed in the art of making meant to do? For his part, Tron is clear. “With this collection, I’ve made peace with myself, as to who I am as a designer,” he said. “I’m focused like I’ve never been before.”
- Laura and Deanna Fanning have previously expressed frustration at a regular remark from retailers viewing their womenswear line for Kiko Kostadinov: “So, where are your frocks?” Determined to dress women in decisive day-to-nightwear, they design pieces that make you look twice—a dress with poppers that transforms into a vest and mini skirt from their spring/summer 2022 collection recently made it into Dua Lipa’s wardrobe, for instance. It was a little surprising, then, to see floaty silk-georgette and chiffon midi dresses wafting through the high-school gymnasium that served as their show venue for their Paris Fashion Week debut. Were they feeling the Paris romance? “We wanted to push ourselves through things that are a bit more draped,” the sisters said, nodding, backstage after the show. “It was a bit of a risk but it’s been fun to play with the transparencies, the delicate and ephemeral. The collection was about fantasy for us—fantasy and hope.” Kiko fans—and judging from the number of fashion insiders toting the label’s popular Trivia bag around Paris this week, they are numerous—will be pleased to know that the fantasy came with the Fannings’ habitual made-you-look edge. A pretty azure-blue dress had an ab-baring cut-out and was styled with off-beat chain-link necklaces worn across the body, from which dangled juicy-hued beads. Another style layered an elegant asymmetric turquoise slip over apple green silk-georgette. A clingy dress featuring pastel shades of mesh layered over one another boasted a pleasing neckline, folding out from the bust like a napkin in a fancy restaurant. What made them work was a playful deftness and sporty edge in the styling. The 19-year-old British model Mia Regan, sat front row, and is emblematic of the pretty-tough girls that wear Kiko, seemed taken with the cowl-neck mini dresses, too.
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The centerpiece of the Hermès show was a large dune. We were camping—or better make that glamping, given the environs. “The Hermès girls are taking a bivouac, a big hike in the desert, and setting up a camp at sunset to have a party, a big rave,” Nadège Vanhee-Cybulski said backstage. After a couple of years of lockdowns, the vacation industry came roaring back this summer. Instagram feeds were awash with content from picturesque spots, a sort of one-upmanship of far-off destinations—Patagonia, Kenya, Alaska. All that long-distance travel, that living outdoors, requires a different kind of gear than our urban existence does, and we’ve made kitting ourselves out part of the fun. Vanhee-Cybulski—a day hiker more than a camper, she confessed—had clearly studied the utilitarian details of outdoor equipment. The back of a tech-fabric raincoat rolled up to reveal an underlayer of breathable mesh, and slim-line dresses were built with user-friendly zips that allow their wearer to customize the look. Elastic cording, though less adaptable, evoked the tension and release of tent construction. She didn’t push the metaphor too far. A hooded rain poncho in the supplest leather wouldn’t be worth much out in the elements, for example, and the platform sandals couldn’t get far in the wild, but they do hew to the experienced trekker’s cardinal rule: They’re remarkably light. What the season’s theme gave Vanhee-Cybulski a chance to do was play with gorgeous desert colors: a whole palette of earthy tans, browns, and terra-cottas, as well as luscious sunset hues. A terrific dress in color-blocked shades of pink was designed to evoke flags rustling in the wind. The scarf-print numbers looked even better with a pair of 3D glasses. As ever, what the Hermès ateliers can get up to with leather is impressive. A dress with circular leather appliqués that got subtly bigger from neck to hem was a breezy knockout.
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