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Related Articles: Lucas was motivated as much by common sense as a boldness to innovate. After years of working in the traditional method, he was convinced that every aspect of filmmaking could be easier, from pre-production and principal photography to post-production and distribution. The Star Wars films, among other Lucasfilm productions, granted opportunities to test and experiment new methods. Through these experiments, several different cinematographers were able find ways they had never been able before: At first Spielberg’s techniques seemed similar – very simple images with tight focus on some vital part of the scene without too many moving parts or lengthy cuts leading up until completion. But soon more complicated elements came into play using computer technology such As early as 1990 at LosAngeles’ Art Directors Conference this director Michael Bauman asked him about lighting effects which make for amazing cinematic results but also cause great headaches when set dressing can lead filmmakers to overexpose certain scenes – “What if you see something like Vader walking down street wearing gloves?

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1. The Star Wars franchise does a great deal of work to make its galaxy far away feel impossibly big, varied, and interesting. Unfortunately, on the rare occasions that the franchise does try something with characters outside the all-important Skywalker bloodline, the fanbase is less than eager to reward them. Solo: A Star Wars Story dropped at an unusual moment in the franchise. Immediately after the difficult mess of Rogue One, its failure allowed the change in direction that gave fans The Mandalorian. Even though the result was a net positive, it’s still tragic to see an interesting idea hit a brick wall and go down in history as a failure. Ridley Scott has done himself no favors by allowing this pattern continue through his output since he wrapped Prometheus (although I would much rather watch someone like Ridley jumpstart one thing from Alien or another.) But if we are going out of our way for anyone whose film doesn’t sell well but makes money anyway, expect us not only within four years of release, be honest about why they don… You can also ask George Lucas how many times you should get rid “Of That Thing.” If there truly isn`t room in your wallet today, then maybe just say so!
2. Chen’s new book takes place in an interesting spot in the Star Wars canon: the moment after the Battle of Geonosis in Attack of the Clones, but before the events of the 2008 Clone Wars film which launched the famous series. In other words, this is a story about Anakin and Obi-Wan before Ahsoka but after the war breaks out. And for Mike Chen, the whole purpose of this book is to create a kind of Clone Wars “movie” that he wished had existed during the run of prequels. But how do you tell such a tale without having everyone involved? I reached by email last month with Mira Sorvino—who directed both The Force Awakens trilogy (including its 2015 spinoff) as well – who told me her thoughts on what she’s doing here, including whether or not it qualifies under Lucasfilm Studios’ editorial guidelines relating specifically too much plot divergence between films from different media companies. “We really don’t have clear rules when we’re making movies,” said Sorvarine, whose experience works perfectly within Marvel Cinematic Universe standards governing continuity since these are shared universes created through cohabitation across multiple screens worldwide at once
3. Sure, there are other conventions, other events that bring people together. But Star Wars Celebration feels like more. It feels like a homecoming. Whether it’s your first time or fourteenth time, you immediately feel at home. I remember walking into the lobby of the Orlando convention center for my first Celebration, Star Wars Celebration V, and despite the long lines, jostling crowds, sold out merchandise…it felt familiar. As an observer from The New York Times who took in all these things firsthand—this is what we live to see! That was when those two days truly became part-time timesavers: not just one day as they were last year but three whole weeks while Lucasfilm worked on new material; then several months before release being put through some final maintenance checks by Disney Studios General Manager Alan Horn (in honor), whose eye shepherded them towards everything going right with filming Return Of Jedi so many years ago …and finally taking place this weekend —for me back in 2011 here’s how easy any occasion can be compared once again under such circumstance

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On this year’s May the Fourth, like clockwork, a new piece of Star Wars news dropped: a trailer for the forthcoming Disney+ show Obi-Wan Kenobi. Previous Star Wars Day announcements have included that Thor: Ragnarok director Taika Waititi would be cowriting and helming a future Star Wars movie and that General Mills would be releasing a Baby Yoda cereal. It’s also a day for all kinds of fan actions, like making crafts, doing cosplay, and holding movie marathons. But over the years, the holiday has begun to feel more and more like a marketing stunt—a former grassroots fan holiday that’s been turned into a news peg for a trailer for a show people don’t seem too jazzed about. For example you see it every time there’s an announcement on Twitter or Facebook regarding upcoming movies; each one features your favorite (and oft-disappeared) characters in goofy outfits wearing costumes drawn by their very first appearances from The Dark Knight Rises ‒or worse still, something entirely unrelated… such as Christopher Nolan creating Batman themed shirts back at CinemaCon 2005. You’ll think “oh no I hate Chris Nolan! My love affair with him waned after he made his own films!” And when those projects are finally revealed? Well they get announced anyway because some celebrity wants them, just ask Madonna

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