ITEM TYPE: Poster Canvas from Byztee is premium poster canvas. Get wall art that you’ll love printed on premium canvas prints, framed art prints, poster prints, and more, all of which ship quickly and come in custom sizes.
MATERIAL: Poster Information: Edge-to-edge printing with no borders on 200 GSM paper. 36 inches x 24 inches, 24 inches x 16 inches, and 16 inches x 12 inches are the dimensions. American-made printing. This object is not framed. Canvas Information: Please choose between Framed or Unframed Canvas: Unframed canvas: You will only get one roll; they have simply printed images on a canvas that cannot be hung. You must create your bespoke frames and mount them in your manner. Framed canvas: Each image is already framed so that the canvas can be stretched. After receiving the item, all you have to do is hang it up. The already attached hook makes hanging quick and simple. 36 inches x 24 inches, 24 inches x 16 inches, and 16 inches x 12 inches are the dimensions. Symbolic artwork is printed on strong, water-repellent, and wear-resistant materials. 360 gsm woven, artist-quality ultra-thick matte canvas. Long-lasting lightfast canvas prints and UV archival inks that prevent fading. Protective coating that deters spills and scratches. Printing on one side. Customer Satisfaction Guarantee: Please request a REPLACEMENT or REFUND using the email provided with the merchandise if you have any problems. Now that you’ve reached the top, click Add to Cart to start your preferred experience.
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Related Articles: “There was this wonderful atmosphere,” he told my colleague Laird Borrelli-Persson when tonight’s runway show was announced. “Everybody works together, so it’s been an amazing experience.” Against a backdrop of paintings by the Aboriginal Australian artist Mirdidingkingathi Juwarnda Sally Gabori, the collection leaned less Alber than it did Lutz. In that, it wasn’t dissimilar from the offerings by Magugu and Manas. “It’s very much what I like,” said Huelle, who is a designer wardrobe builder, not a trend chaser. “But it’s also more glamorous and a little more sexy.” Huelle upcycles denim, and denim was a foundational element here, only it was a dark rinse and not pre-worn. Tailoring is another throughline. The cropped vest in his own collection and in this AZ Factory offering are twins, if not identical, then fraternal. At home Huelle has been experimenting with puffed taffeta volumes on the sleeves of jersey tees. At AZF, he dressed up body-con dresses with ruffled rings that encircled the torso, one in black-on-black and the other in a floral camo that was the lineup’s hero print, also appearing on robe coats and an off-the-shoulder trapeze dress. The sequin pants looked like a good time; ditto the crystalized jeans styled with a denim T-shirt. Staying true to the Amigo concept, Huelle came out for a victory lap with members of the AZ Factory team.
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- Demna has had his own experience of war—he fled Georgia with his family when he was a young boy of 10. Being gay compounded his struggles. “I’ve felt like I’ve been punched in my face for being who I am,” he said, but “you have to stand up and continue walking, kind of like this crusade of discovering who you are and defending that.” He called this a “very me show.” It was heavy on grafitti’d hoodies and ravaged jeans, but there was also evening wear, in clingy T-shirt jersey or glamorous pleats. These were survivors against the odds, a point Demna made by sending out men clutching baby carriers propped with eerily lifelike dolls. “Naturally I’m an optimist, but I cannot be very optimistic right now,” he said. “I think this show actually expresses that very much—the music, the set, it spoke about the moment in which we live.” The soundtrack by BFRND was actually quite terrifying. To finish, Demna sent out a dress made from cut-up parts of black Balenciaga Lariat bags, a make-do-and-mend masterpiece that also pointed up our nasty overconsumption habits. Remember, he sent every last piece through the mud, a “sacrilege” by luxury standards. Using fashion to comment on the crises that plague us is a tricky business. Of course Demna wants us to shop, and of course his bosses do, too. But when it comes time to spend, my money’s on the guy who looks around and is terrified, not the sleepwalkers.
- Beckham’s lifelong fashion education has clearly taught her a thing or two about subversion. If she’s demonstrated her taste for the “wrong” and “weird” before, this collection flexed a side to her practice that felt like virgin soil. Next to coats with edges cut to reveal their construction and trompe l’oeil leather jackets with the imprint of lapels, tailored jackets had been deconstructed at the back and reduced to their core frame, exposing the naked body. It was an intelligent (and quite Belgian) way of cutting that suited Beckham’s codes and pushed her into a game played by the big guys. “I can’t believe it’s finally happening. I’m very proud of where we’ve come,” she said of her Paris adventure. “With this show, I have enjoyed every single step of the way. When you think of everything we’ve been through, to be doing a show in Paris as an independent brand, it’s a really big deal. It feels like a real moment.” Beckham’s French fashion debut was an ambitious, dramatic, and quite sexual experience, which spoke volumes of her excitement for fashion. And on the day-to-day hamster wheel of Fashion Week, dedication like that is really quite rare.
- “There was this wonderful atmosphere,” he told my colleague Laird Borrelli-Persson when tonight’s runway show was announced. “Everybody works together, so it’s been an amazing experience.” Against a backdrop of paintings by the Aboriginal Australian artist Mirdidingkingathi Juwarnda Sally Gabori, the collection leaned less Alber than it did Lutz. In that, it wasn’t dissimilar from the offerings by Magugu and Manas. “It’s very much what I like,” said Huelle, who is a designer wardrobe builder, not a trend chaser. “But it’s also more glamorous and a little more sexy.” Huelle upcycles denim, and denim was a foundational element here, only it was a dark rinse and not pre-worn. Tailoring is another throughline. The cropped vest in his own collection and in this AZ Factory offering are twins, if not identical, then fraternal. At home Huelle has been experimenting with puffed taffeta volumes on the sleeves of jersey tees. At AZF, he dressed up body-con dresses with ruffled rings that encircled the torso, one in black-on-black and the other in a floral camo that was the lineup’s hero print, also appearing on robe coats and an off-the-shoulder trapeze dress. The sequin pants looked like a good time; ditto the crystalized jeans styled with a denim T-shirt. Staying true to the Amigo concept, Huelle came out for a victory lap with members of the AZ Factory team.
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With a winning spring collection Ladislav Zdút and his team are redefining power dressing for today. Their iteration—executed in Nehera’s signature neutrals and enlivened with strokes of persimmon, yellow, and royal blue—is softly structured and smart, with interesting textures and asymmetries. A blazer has one lapel and uneven seams; a two-piece jacket can be worn as half a garment or a whole. Nicely styled, the lookbook makes the argument for layering shirts and wearing skirts over pants. The collection takes its title, Powershift, from a 1990 book of the same name by sociologist and futurist Alvin Toffler. Throughout history, says Zdút, women have traditionally adapted elements of menswear, particularly exaggerated shoulders, when assuming positions of power; this season he wanted to “underline the new feminine confidence,” and demonstrate that power “need not necessarily be expressed by exaggerated shoulders.” One of the most pleasing aspects of this offering is how beautifully it reconciles its contradictions: It borrows functional elements from menswear and uniforms, and uses them to express femininity; catering to city dwellers, it takes inspiration from nature. (The lovely floral print is a collaboration with Juraj Straka, a textile designer from Bratislava who is based in Antwerp.) Effortless is an overused word in fashion, but that’s the vibe of this breezy collection.
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